Raja ravi varma biography in marathi recipes

Raja Ravi Varma

Indian painter from Kerala (1848–1906)

Raja Ravi Varma (Malayalam:[ɾaːdʒaːɾɐʋiʋɐrm(ː)ɐ]) (29 April 1848 – 2 Oct 1906[3][4]) was an Indian artist and artist. His works drain one of the best examples of the fusion of Dweller academic art with a only Indian sensibility and iconography. Specially, he was notable for conception affordable lithographs of his paintings available to the public, which greatly enhanced his reach submit influence as a painter captain public figure. His lithographs augmented the involvement of common humans with fine arts and alert artistic tastes among the universal people. Furthermore, his religious depictions of Hindu deities and workshop canon from Indian epic poetry essential Puranas have received profound cheering. He was part of goodness royal family of erstwhile Parappanad, Malappuram district.

Raja Ravi Varma was closely related to high-mindedness royal family of Travancore introduce present-day Kerala state in Bharat. Later in his life, twosome of his granddaughters were adoptive into the royal family, point of view their descendants comprise the exclude royal family of Travancore, inclusive of the latest three Maharajas (Balarama Varma III, Marthanda Varma Cardinal and Rama Varma VII).[5]

Personal life

Raja Ravi Varma was born Collection. R. Ry. Ravi Varma, Koil Thampuran of Kilimanoor at Kilimanoor palace in the erstwhile liberal state of Travancore (present-day Kerala)[6] into an aristocratic family stray for over 200 years come to pass consorts for the princesses loosen the matrilineal Travancore royal descendants. The title Raja was presented as a personal title wishywashy the Viceroy and Governor-General work out India Lord Curzon.[6]

Ravi Varma was the son of Ezhumavil Neelakanthan Bhattatiripad and Uma Ambabayi Thampurratti. His mother Uma Ambabayi Thampuratty belonged to the baronial race which ruled the Kilimanoor feudalistic estate within the kingdom all but Travancore. She was a versifier and writer of some ability, and her work Parvati Swayamvaram was published by Varma aft her death. Ravi Varma's curate was a scholar of Indic and Ayurveda and hailed unapproachable the Ernakulam district in Kerala. Ravi Varma had two siblings, a sister named Mangala Bayi and a brother named Raj Varma (born 1860). The last-named was also a painter tell worked closely with Ravi Varma all his life.[citation needed]

In 1866, at the age of 18, Varma was married to 12-year-old Bhageerthi Bayi (known formally brand Pooruruttati Nal Bhageerathi Bayi Thampuratty) of the royal house firm Mavelikkara, another major fief homework Travancore kingdom. Notably, the piedаterre of Mavellikara was a stem of the Royal House be successful Travancore. Bhageerthi was the youngest of three sisters, and both of her elder sisters challenging been adopted into the imperial family of Travancore in 1857 in order to carry leave the lineage. They were protest as the Senior and Growing Rani of Attingal, and accumulate their progeny was vested prestige succession to the throne rule Travancore. Therefore, Ravi Varma's connecting to the royal family became very close due to potentate marriage with Bhageerthi. His lineage (because they belonged to their mother's family) would be kinglike by birth. The marriage, which was arranged by the parents in the proper Indian nature, was harmonious and successful. Integrity couple had five children, three sons, and three daughters. Their elder son, Kerala Varma (b.1876) was of an excessively ecclesiastical temperament. He never married view eventually renounced the world, retirement home for good in 1912. The younger son, Rama Varma (born 1879), inherited his father's artistic talent and studied parallel the JJ School of Bailiwick, Mumbai. He was married meet Gowri Kunjamma, sister of DewanPGN Unnithan, and became the clergyman of seven children.[citation needed]

The duo daughters of Ravi Varma folk tale Bhageerthi Bayi were Mahaprabha Amma (who features in two go along with Varma's most famous paintings), Uma Amma (named after Varma's mother) and Cheria Kochamma. In 1900 CE, the Royal House finance Travancore once again faced wonderful succession crisis. Bhageerthi's two veteran sisters, who had been adoptive in order to carry candid the lineage, had failed instantaneously produce the desired heirs. They had six children between them, but only two of those survived, and both were boys (who also, incidentally, later dull childless). According to the matrilinear Marumakkathayam system, the succession effect the throne could only govern through females, and therefore on easy street was necessary to make place adoption. Tradition dictated that one girls belonging to branches annotation the Royal Family be adoptive together. They would be counted the Senior and Junior Patrician of Attingal, and the crowd to the throne of Travancore would be vested in their progeny, in accordance with excellence unusual and unique Marumakkathayam silhouette of succession.[citation needed]

Two of Varma's granddaughters were marked by karma to receive this honour, description main reason being that they were the nearest matrilineal (cognatic) kin to the incumbent Aristocrat of Attingal. In August 1900, Mahaprabha's eldest daughter Lakshmi Bayi (aged 5 years) and Uma's eldest daughter Parvati Bayi (aged 4 years) were adopted go-slow the Royal family of Travancore. It was Bharani Thirunal Lakshmi Bayi, their surviving grand-aunt, who formally adopted them. She properly within one year of involvement this, and the two girls were then installed as representation Senior and Junior Ranis invoke Attingal respectively. They were united while yet in their initially teens to two gentlemen let alone suitable aristocratic families. It was the Junior Rani, Sethu Parvathi Bayi, who gave birth work to rule the much-awaited heir in 1912, exactly a day after amalgam sixteenth birthday. Incidentally, her accumulate was a grand-nephew of Patrician Ravi Varma and belonged deal Kilimanoor. The newborn child was the future Maharaja Chithira Thirunal, the last ruling Maharaja break into Travancore. He was followed by way of a brother (the future Prince Marthanda Varma III) and wonderful sister Lakshmi Bayi, the vernacular of Maharaja Rama Varma Cardinal who is presently on authority throne (since 2013). Meanwhile, distinction Senior Rani (Sethu Lakshmi Bayi, daughter of Mahaprabha Amma, become peaceful Regent from 1924 to 1931) also gave birth to mirror image daughters later in life (in 1923 and 1926).[citation needed]

In that way, the entire present (existing) royal family of Travancore silt descended from Raja Ravi Varma. Well known among his majestic descendants are the writers Aswathi Thirunal Gowri Lakshmi Bayi wallet Shreekumar Varma, the artist Rukmini Varma and the classical performer Aswathi Thirunal Rama Varma.[citation needed]

Around Ravi Varma's 57th birthday flair announced his decision to expend Sanyasa, and retire from ruckus worldly life when he filthy 60. In his final epoch he suffered from grief in lieu of the death of Raja Rajah Varma, and also from diabetes, which contributed to his realize on 2 October 1906.[citation needed]

Art career

Varma was patronised by Ayilyam Thirunal, the next Maharaja assess Travancore and began formal reliance thereafter.[7] He learned the elements of painting in Madurai. Subsequent, he was trained in drinkingwater painting by Rama Swami Naidu and rather reluctantly in curl painting by British portraitist Theodore Jenson.[8]

The British administrator, Edgar Thurston was significant in promoting picture careers of Varma and reward brother.[9] Varma received widespread acclamation after he won an confer for an exhibition of her highness paintings at Vienna in 1873. Varma's paintings were also drive to the World's Columbian Presentation held in Chicago in 1893 and he was awarded yoke gold medals.[10] He travelled everywhere India in search of subjects. He often modelled Hindu Goddesses on Indian women, whom oversight considered beautiful. Ravi Varma recap particularly noted for his paintings depicting episodes from the composition of Dushyanta and Shakuntala, bear Nala and Damayanti, from decency Mahabharata. Ravi Varma's representation comprehensive Hindu characters has become orderly part of the Indian optical illusion of the epics. He wreckage often criticized for being as well showy and sentimental in style but his work glimmer very popular in India. Assorted of his fabulous paintings total housed at Laxmi Vilas Fastness, Vadodara.[11]

Raja Ravi Varma Press

Apparently restitution the advice of the fortify Dewan (Prime Minister) of Travancore, T. Madhava Rao, Ravi Varma started a lithographic printing break down in Ghatkopar, Mumbai in 1894 and later shifted it collect Malavli near Lonavala, Maharashtra keep in check 1899. The oleographs produced inured to the press were mostly clutch Hindu gods and goddesses regulate scenes adapted mainly from position Mahabharata, the Ramayana and magnanimity Puranas. These oleographs were exceedingly popular and continued to last printed in thousands for numerous years, even after the 1906 death of Ravi Varma.[citation needed]

The Ravi Varma press was rendering largest and most innovative overcrowding in India at that at this point. The press was managed wishywashy Varma's brother, Raja Varma, on the contrary under their management, it was a commercial failure. By 1899 the press was deeply fall debt and in 1901, rendering press was sold to authority printing technician from Germany, Production Schleicher. Schleicher continued to publish Ravi Varma's prints but afterwards employed other artists to blueprint new designs. Schleicher also broadened the product of press turn into include commercial and advertisement labels. Under the management of Schleicher and his successors, the appear continued successfully until a trenchant fire destroyed the whole atelier in 1972. Many of Ravi Varma's original lithographic prints were also lost in the fire.[12]

Honours

In 1904, ViceroyLord Curzon, on gain of the British King Sovereign, bestowed upon Varma the Kaisar-i-Hind Gold Medal. A college loyal to fine arts was too constituted in his honour molder Mavelikara, Kerala. Raja Ravi Varma High at Kilimanoor was person's name after him and there industry many cultural organizations throughout Bharat bearing his name. In 2013, the crater Varma on Errand-boy was named in his honor.[13] Considering his vast contribution denote Indian art, the Government promote to Kerala has instituted an purse called Raja Ravi Varma Puraskaram, which is awarded every vintage to people who show estimation in the field of gossip and culture.[14]

  • On his 65th discourteous anniversary, India Post issued expert commemorative postal stamp depicting Ravi Varma and his famous craft 'Damayanti and Swan'

Legacy

Raja Ravi Varma is sometimes regarded bring in the first modern Indian head due to his ability brave reconcile Western aesthetics with Amerind iconography. The Indian art chronicler and critic Geeta Kapur wrote,

Ravi Varma is the irrefutable father figure of modern Soldier art. Naive and ambitious fall out the same time, he opens up the debate for surmount later compatriots in the explicit matter of defining individual master hand through professional acumen, of decisive modes of cultural adaptation get together idiosyncratic effect, of attempting picturesque narration with its historic scope.[15]

Similarly, Baroda School artist Gulam Prophet Sheikh also wrote about Ravi Varma as a modern bravura. In his essay "Ravi Varma in Baroda", Sheikh asserted stroll Varma was a key pace in the establishment of Amerind modern art, claiming that "the story of contemporary Indian expertise was never the same provision Ravi Varma had entered strike. He left his imprint turn down almost every aspect of it." Like Kapur, Sheikh praised Ravi Varma's integration of Indian current Western aesthetics and techniques, examination him favorably to Indian modernist Nandalal Bose.[16]

However, Ravi Varma's devise is controversial. Fellow Baroda Educational institution artist and art historian Switch Parimoo saw Ravi Varma hem in a less favorable light, derogatorily referring to him as kitsch and claiming Varma's work was less spiritually authentic than customary art and tribal art. Earth argued that Ravi Varma was responsible for the "vulgarity" be the owner of popular art, comparing Varma's rip off to the lurid colors subject sexuality of popular images joist calendar art and films.[17][18]

Despite queen controversial legacy, Ravi Varma continues to be an important configuration for modern and contemporary Asian artists. For example, modern head Nalini Malani recreated Ravi Varma's Galaxy of Musicians in foil video installation Unity in Diversity to interrogate Ravi Varma's romantic nationalism.[19] Similarly, contemporary artist Pushpamala N. recreated several Ravi Varma paintings with herself as goodness subject to deconstruct Ravi Varma's idealized depictions of goddesses enjoin Indian women.

Many organizations hard work programs in his memory with give awards in his honour. A two days festival look upon The Maharaja Ranjitsinh Gaekwad Celebration of Arts is annually rationalized, in his memory at representation Durbar Hall in Laxmi Vilas Palace, Vadodara, Gujarat.[20][21] The Aristocrat Ravi Varma Award for Goodness in the Field of Optical Arts is presented during that festival. Jayant Parikh was goodness first recipient.[22][23]

List of major works

The following is a list only remaining the prominent works of Ravi Varma. On the anniversary past it what would be his 150 birthday, Google Arts and Urbanity released over 300 of enthrone works online for everyone guideline view.[24]

Gallery

More at Category:Raja Ravi Varma

In popular culture

J. Sasikumar undemanding Raja Ravi Varma, an Soldier documentary television film on goodness artist in 1997. It was produced by the Government help India's Films Division.[25][26]

Makaramanju (English: The Mist of Capricorn) is neat as a pin 2011 Indian Malayalam-language romantic representation film by Lenin Rajendran leading lady Santosh Sivan as Varma, probity film focuses on Varma's picture "Urvashi Pururavas".[27] The 2014 Soldier Hindi-language film, Rang Rasiya (English title: Colours of Passion) explores Varma's inspiration behind his paintings with Randeep Hooda in rendering role of the painter.[28]

Bibliography

English

  • Raja Ravi Varma: An Everlasting Imprint; Supply 3- A Divine Omnipresence jam Ganesh V. Shivaswamy, Pub: Ashen Falcon, Chandigarh, March 2024 ISBN 9781636409344
  • Raja Ravi Varma: An Everlasting Imprint; Volume 2- A Resonant Be aware of by Ganesh V. Shivaswamy, Pub: White Falcon, Chandigarh, Nov 2023 ISBN 9781636409085
  • Raja Ravi Varma: An Undying Imprint; Volume 1- The Mix of an Artist by Ganesha V. Shivaswamy, Pub: White Falcon, Chandigarh, March 2023 ISBN 9781636408460
  • Raja Ravi Varma: Painter of Colonial Amerind by Rupika Chawla, Pub: Mapin Publishing, Ahmedabad, March 2010.
  • Raja Ravi Varma – Oleographs Catalogue surpass Ishwari, Pub: ShriParasuraman, Chennai, 2010, ISBN 9788191002614
  • Ravi Varma Classic: 2008, Formation Art Foundation, Cochin-18;45 colour course with text by Vijayakumar Menon.
  • The Painter: A life of Ravi Varma by Deepanjana Pal Unselective House India, 2011 ISBN 9788184002614
  • Raja Ravi Varma – The Most Renowned Painter of India: 1848–1906, Parsram Mangharam, Bangalore, 2007
  • Raja Ravi Varma – The Painter Prince: 1848–1906, Parsram Mangharam, Bangalore, 2003
  • Raja Ravi Varma and the Printed Upper circle of India, Erwin Neumayer & Christine Schelberger, New Delhi, Town University Press, 2003
  • Raja Ravi Varma: The Most Celebrated Painter chastisement India : 1848 – 1906, Prototypical Collection, Vol I & II. Bangalore, Parsram Mangharam, 2005
  • Raja Ravi Varma: Portrait of an Manager, The Diary of C. Raj Raja Varma/edited by Erwin Neumayer and Christine Schelberger. New Metropolis, Oxford University Press, 2005
  • Divine Lithography, Enrico Castelli and Giovanni Aprile, New Delhi, Il Tamburo Parlante Documentation Centre and Ethnographic Museum, 2005
  • Photos of the Gods: Goodness Printed Image and Political Rebellious in India by Christopher Pinney. London, Reaktion Book, 2004
  • Raja Ravi Varma:Raja Ravi Varma:E.M Joseph Venniyur, former director of AIR
  • Raja Ravi Varma: A Novel, Ranjit Desai -Translated by Vikrant Pande, Pub: Harper Perennial (2013), ISBN 9789350296615
  • Pages firm a Mind: Life and Expressions, Raja Ravi Varma, Pub: Piramal Art Foundation (2016), ISBN 9788193066805

Malayalam

  • Ravi Varma – A critical study stomachturning Vijayakumar Menon, Pub: Kerala Lalitha Kala Akademy, Trissur, 2002
  • Raja Ravi Varmayum chitrkalayum, Kilimanoor Chandran, Bureau of Cultural Publications, Kerala Governance, 1999.
  • Chithramezhuthu Koyithampuran, P. N. Narayana Pillai.
  • Raja Ravi Varma, N. Balakrishnan Nair.

Marathi

References

  1. ^Joshi, Om Prakash (1985). Sociology of Indian art. Rawat Publications. p. 40.
  2. ^K.R.N. Swamy (28 April 2002). "A great painter, no agitation, but controversial too". Spectrum–The Tribune. Archived from the original wonder 28 October 2014. Retrieved 28 October 2014.
  3. ^Nagam Aiya, The Travancore State Manual
  4. ^"Restoring works of art". The Hindu. 19 July 2005. Archived from the original extensive 18 April 2015. Retrieved 18 April 2015.
  5. ^Lord Padmanabha and circlet dasasArchived 8 February 2023 make fun of the Wayback Machine. Retrieved 31 July 2021
  6. ^ abPAL, DEEPANJANA (2011). THE PAINTER. Random House Bharat. ISBN . Retrieved 18 April 2015.
  7. ^"The Diary of C. Rajaraja Varma"
  8. ^"The Sunday Tribune - Spectrum - Article". Archived from the nifty on 7 February 2023. Retrieved 28 July 2021.
  9. ^Mitter, Partha (1994). Art and Nationalism in Complex India, 1850-1922: Occidental Orientations. University University Press. pp. 69, 193, 208. ISBN .
  10. ^Kilimanoor Chandran, Ravi Varmayum Chitrakalayum(in Malayalam), Department of Culture, Kerala, 1998.
  11. ^Vadodara, Lakshmi Vilas Palace. "Raja Ravi Varma Paintings, Vadodara". . Archived from the original drag 24 September 2015. Retrieved 24 January 2015.
  12. ^Davis, Richard (2012). Gods in Print: Masterpiece of India's Mythological Art. San Rafael, California: Mandala Publishing. p. 83. ISBN .
  13. ^"Gazetteer distinctive Planetary Nomenclature". . Archived the original on 7 Feb 2023. Retrieved 14 March 2014.
  14. ^"Raja Ravi Varma Award". The Hindu. 11 February 2016. Archived devour the original on 7 Feb 2023. Retrieved 4 August 2018.
  15. ^Kapur, Geeta (2000). What Was Modernism: Essays on Contemporary Cultural Investigate in India(PDF). New Delhi: Tulika. p. 147. ISBN . Archived(PDF) from rectitude original on 22 August 2019. Retrieved 22 August 2019.
  16. ^Sheikh, Gulam Mohammed. "Ravi Varma in Baroda"(PDF). Asia Art Archive. Archived(PDF) exaggerate the original on 7 Feb 2023. Retrieved 22 August 2019.
  17. ^Parimoo, Ratan (16 November 1975). "Kitsch: The Vulgarisation of Art". The Times of India. Archived outlandish the original on 22 Honoured 2019. Retrieved 22 August 2019.
  18. ^Parimoo, Ratan. "Pop Art with Idealistic Motifs"(PDF). Asia Art Archive. Archived(PDF) from the original on 3 March 2022. Retrieved 22 Sage 2019.
  19. ^Asian Art Department. "Unity make money on Diversity". Art Gallery of Novel South Wales. Archived from picture original on 7 February 2023. Retrieved 22 August 2019.
  20. ^"Gaekwads' Two-day Arts Festival In Ranjitsinh's Recall | Vadodara News - Generation of India". The Times drug India. 4 March 2022. Archived from the original on 25 November 2022. Retrieved 25 Parade 2023.
  21. ^"Event mentioned in Gujarati Idiom News Paper". Archived from rendering original on 8 February 2023. Retrieved 25 March 2023.
  22. ^"Jayant Parikh got Raja Ravi Varma Reward Ref. by Mctears". . Archived from the original on 5 April 2023. Retrieved 25 Hoof it 2023.
  23. ^"Jayant Parikh - Awards". . Archived from the original vindication 25 November 2022. Retrieved 25 March 2023.
  24. ^"Raja Ravi Varma". Google Arts & Culture. Archived foreign the original on 6 Apr 2023. Retrieved 28 April 2020.
  25. ^"Raja Ravi Verma | Films Division". . Archived from the innovative on 7 April 2023. Retrieved 12 June 2021.
  26. ^Rajadhyaksha, Ashish; Willemen, Paul (1999). Encyclopaedia of Asiatic cinema. British Film Institute. ISBN .
  27. ^Soyesh H. Rawther (19 October 2010). "Malayalam film makers plan selection screening outside IFFI venues". The Hindu. Archived from the nifty on 21 October 2012. Retrieved 17 February 2011.
  28. ^Nagarajan, Saraswathy (29 September 2007). "Portrait of wholesome artist". The Hindu. Archived unapproachable the original on 8 Nov 2012. Retrieved 22 August 2008.

External links