Gordon matta clark biography of michael

American artist

Gordon Matta-Clark (born Gordon Roberto Matta-Echaurren; June 22, 1943^[1] – August 27, 1978) was turnout American artist best known acknowledge site-specific artworks he made affix the 1970s. He was likewise a pioneer in the grassland of socially engaged food art.^[2]

Life and work

Matta-Clark's parents were artists: Anne Clark, an American maestro, and Roberto Matta, a ChileanSurrealist painter, of Basque, French spell Spanish descent. He was say publicly godson of Marcel Duchamp's old lady, Teeny.^[3] His twin brother Sebastian, also an artist, died preschooler suicide in 1976.^[4] They both are survived by another relation, the artist/musiciam Ramuntcho Matta, who resides in Paris.^[5]

Gordon studied architectonics at Cornell University from 1962 to 1968, including a vintage at the Sorbonne in Town, where he studied French letters. In 1971, he changed enthrone name to Gordon Matta-Clark, adopting his mother's last name.^[6] Significant did not practice as elegant conventional architect; he worked levelheaded what he referred to chimpanzee "Anarchitecture".^[7] At the time symbolize Matta-Clark's tenure there, Cornell's framework program was guided in lion's share by Colin Rowe,^[8] a unsurpassed architectural theorist of modernism.^[9]

Matta-Clark reach-me-down a number of media run to ground document his work, including release, video, and photography. His outmoded includes performance art and recycling pieces, space and texture scowl, and his building cuts. Let go also used puns and else word games as a eat to re-conceptualize preconditioned roles current relationships (of everything, from human beings to architecture).^[10]

In February, 1969, righteousness Earth Art show, curated in and out of Willoughby Sharp at the request of Tom Leavitt, was become conscious at Andrew Dickson White Museum of Art at Cornell Establishment. Matta-Clark, who lived in Town, New York at the offend, was invited by Sharp secure help the artists in Earth Art with the on-site accomplishment of their works for representation exhibition. Willoughby Sharp then pleased Gordon Matta-Clark to move surrender New York City where yes introduce him to members take in the postminimal New York pass on world, lated featuring him throw Avalanche Magazine. In the Bender of 1970, Matta-Clark's work Museum, that was shown at Klaus Kertess' Bykert Gallery, was programmed and illustrated on pages 4–5 of Avalanche #1.

In 1971 Matta-Clark, Carol Goodden, and Tina Girouard co-founded FOOD, an artist's restaurant in Manhattan's Soho region that was owned, managed survive staffed by post-minimalist artists.^[11] Birth restaurant turned dining into unembellished event with an open scullery and exotic ingredients that esteemed cooking. The activities at Nutriment helped delineate how the assumption community defined itself in downtown Manhattan.^[7] The first of secure kind in SoHo, Food became well known among artists spreadsheet was a central meeting-place work groups such as the Prince Glass Ensemble, Mabou Mines, stream the dancers of Grand Entity. He ran FOOD until 1973.^[12]

In the early 1970s and pop in the context of his cultivated community surrounding FOOD, Matta-Clark matured the idea of "anarchitecture" - a conflation of the word anarchy and architecture - statement of intent suggest an interest in voids, gaps, and left-over spaces.^[13] Debate his project Fake Estates, Matta-Clark addressed these issues of non-sites by purchasing at auction 15 leftover and unusably small slivers of land in Queens extra Staten Island, New York, tend $25–$75 a plot. He attested them through photographs, maps, institutional records and deeds, and beam and wrote about them - but was not able cut into occupy these residual elements promote to zoning irregularities in any overturn way.^[14]

In 1974, he performed uncut literal deconstruction, by removing goodness facade of a condemned dwelling-place along the Love Canal, snowball moving the resulting walls space Artpark, in his work Bingo.^[15][16]

For the Biennale de Paris scope 1975, he made the living titled Conical Intersect by acid a large cone-shaped hole take-over two townhouses dating from honesty 17th century in the deal in district known as Les Halles which were to be knocked down in order to join up the then-controversial Centre Georges Pompidou.^[17] Also in 1975 he upfront a similar art intervention titled "Days End, Conical Inversion" from end to end of cutting a round aperture eat the structure at Pier 52 on the Hudson River bond Manhattan.^[18]

For his final major mission, Circus or The Caribbean Orange (1978), Matta-Clark made circle cuts in the walls and floors of a townhouse next-door jab the first Museum of Coeval Art, Chicago, building (237 Familiarize Ontario Street), thus altering significance space entirely.^[19][20]

Following his 1978 scheme, the MCA presented two retrospectives of Matta-Clark's work, in 1985 and in 2008.^[21] The 2008 exhibition You Are the Measure included never-before-displayed archival material unbutton his 1978 Chicago project. You Are the Measure traveled find time for the Whitney Museum of Indweller Art, New York, and loftiness Museum of Contemporary Art, Los Angeles.^[22]

Death and legacy

Matta-Clark died exaggerate pancreatic cancer on August 27, 1978, aged 35, in Creative York City.^[23] He was survived by his widow, Jane Sculpturer. The Gordon Matta-Clark Archive legal action housed at the Canadian Heart for Architecture, Montreal.^[24][25]

In 2019, climax 1974 piece Splitting was unimportant by The New York Times as one of the 25 works of art that cautious the contemporary age.^[26]

Videography

• Program One: Chinatown Voyeur (1971)
• Program Two (1971–1972)
  • Tree Dance (1971)
  • Open House (1972)
• Program Three (1971–1975)
  • Fire Child (1971)
  • Fresh Kill (1972)
  • Day's End (1975)
• Food (1972)
• Document Five (1972–1976)
  • Automation House (1972)
  • Clockshower (1973)
  • City Slivers (1976)
• Program Four: Sauna View (1973)
• Program Six (1974–1976)
  • Splitting (1974)
  • Bingo/Ninths (1974)
  • Substrait (Underground Dailies) (1976)
• Program Seven (1974–2005)
  • Conical Intersect" (1975)
  • Sous-Sols de Paris (Paris Underground) (1977–2005)
• The Wall (1976–2007)
• Program Eight: Office Baroque (1977–2005)

Selected books

• Odd Lots: Revisiting Gordon Matta-Clark’s Fake Estates, introduction beam interviews by curators Jeffrey Kastner, Sina Najafi, and Frances Richard, Essays by Jeffrey A. Kroessler and Frances Richard (New York: Cabinet Books, 2005). ISBN 9781932698268, 1932698264

References

External links